Muslim Women Visual Artists Congregating in Cyberspace: A Study of IMAN and MWIA.Journal of Women of the Middle East and the Islamic World (Hawwa)  297-322.  13, 3 2015

Muslim Women Visual Artists Congregating in Cyberspace: A Study of IMAN and MWIA.

Journal of Women of the Middle East and the Islamic World (Hawwa) 297-322. 13, 3 2015

The Veiled Muslim Woman as Subject in Contemporary Art: The Role of Location, Autobiography, and the Documentary Image.Implicit Religion, 387–412.  16, 4, 2014

The Veiled Muslim Woman as Subject in Contemporary Art: The Role of Location, Autobiography, and the Documentary Image.

Implicit Religion, 387–412.  16, 4, 2014

Discours alternatifs du voile dans l’art contemporainSociologie et sociétés, XLI, 2. 299-325.  2010

Discours alternatifs du voile dans l’art contemporain

Sociologie et sociétés, XLI, 2. 299-325. 2010

 
A Short History of the (Muslim) Veil.Implicit Religion, 413–441.  16, 4, 2014

A Short History of the (Muslim) Veil.

Implicit Religion, 413–441. 16, 4, 2014

Bans on Muslim Facial Veiling in Europe and Canada: A Cultural History of Vision Perspective. Social Identities: Journal for Study of Race, Nation and Culture, 775-793.  19, 6, 2013

Bans on Muslim Facial Veiling in Europe and Canada: A Cultural History of Vision Perspective.

 Social Identities: Journal for Study of Race, Nation and Culture, 775-793. 19, 6, 2013

Imaging Islam in the Art of Arwa Abouon.Journal of Canadian Art History (JCAH), 32, 2  129-144. 2012

Imaging Islam in the Art of Arwa Abouon.

Journal of Canadian Art History (JCAH), 32, 2 129-144. 2012

McGill Journal of Middle Eastern Studies.png

“Marxist and Third World Elements in the Iranian Revolutionary Aesthetic: The Representation of Internationalism, Popular Legitimization, Gender and the Sacrosanct Leader.”McGill Journal of Middle East Studies (Graduate Journal), 7: 47-70 2002-2003